October 2025

Listening Deeply with Bristol A Cappella

BACnov25I spent Saturday with my friends at Bristol A Cappella, revisiting their set from the European and BABS Conventions back in May in preparation for the World Mixed Chorus contest in Germany next Spring. By now they are deeply familiar with the music and their performance plans for it, and this presents the opportunity to do the kind of deep work that only becomes possible when you no longer have to focus on what you are doing and can direct your attention to the how.

Much of our work focused on listening techniques, finding ways to enhance everyone’s perception of what they were doing, since the first stage of refining your execution is increasing the acuity with which you hear the detail. Duetting inevitably played a part in this, with a lot of micro-adjustments making themselves through the process in addition to the explicit observations singers made as we walked through the process.

Hormonal Changes, Vocal Changes

This is a post I have been procrastinating writing for some time, as I wanted to have some useful conclusions about outcomes to report before doing so. But stability seems some way away yet and I have been prompted to write it anyway in anticipation of seeing a lot of my singing friends at the end of this month. It would be tiresome to say this 1500 times when people ask how things are going, so I’ll say it once here in the interests of having more varied conversations in Harrogate.

We all know that that hormonal changes affect the voice. We went through it in adolescence, the boys more dramatically than the girls, but everyone affected to some extent. And it is becoming more widely recognised that hormonal changes at other life stages also affect the voice: when I read Singing Through Change back in 2020, it came conveniently at a moment when I could relate quite directly to its themes.

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