April 2021

The PandeMusic app and How You Can Help Ongoing Research into Covid and Music-Making

PandeMusicOn Thursday I attended a session for Association of British Choral Directors members on a new app called PandeMusic. They’ve not done a major launch yet because it is taking a while to get it into the Apple Store, but it is already available for Android – indeed I downloaded and had it up and running during the session, submitting my first report in less time than it took the presenters to explain it. So I don’t think it’s premature to tell everyone else about it.

The app is a collaboration between abcd and Making Music. It is the brainchild of Martin Ashley, who gave a presentation on what it does, and why, and was developed by John Willetts, who gave a demo of how to use it.

Gesture Height and Centre of Gravity

When teaching choral conducting we generally encourage people to use a gesture space in which their ictus lands not too far above their belly-button, as this tends to facilitate a deeper-seated breath in the singers. But sometimes the physical circumstances of your performing environment necessitate a higher gesture in order for it to be seen, and the question then becomes: how do you prevent this having a negative impact on vocal production?

This post was inspired by watching a video of someone who was managing this well.

On Conducting and Emotion

I had a really interesting conversation recently with a conductor I’ve been working with about the conductor’s experience of musical emotion. He was reflecting on how he feels all the music the conducts – and ‘still feels’ it in the case of very familiar repertoire – and was wondering to what extent he should allow himself to experience that while conducting. On one hand, the whole point of so much music is to shape our feelings, but on the other he didn’t want to be self-indulgent.

You won’t be surprised to know that from a standing start, I was all for allowing himself to connect emotionally with the music. The reason we started doing this and keep doing it, the reason the singers participate, the reason that listeners value what we do is this connection. Music offers a way to access rich and varied emotional landscapes that bind us together in shared experiences. Those leading the creation of those experiences both deserve and have an obligation to participate in them.

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