Coaching

Building Traditions with The Rhubarbs

About to start the warm-up...About to start the warm-up...

Over dinner on Saturday night in Bonn I was informed that in that part of the world, doing something twice made a tradition, and doing something three times created a tradition that goes back to time immemorial. So with this second visit to coach The Rhubarbs had rendered our working together traditional.

This time we had two full days together, which allowed us not only to explore more different themes, but also to work on something one day and revisit after a night’s sleep to see which had embedded overnight, and which needed more work to secure them,

A recurrent theme throughout the weekend was the relationship between breath, support and resonance. Establishing a deep-set breath with bucket-cup-teaspoon exercises at the start of each session set us up to develop the clarity of tone that not only adds brightness to the sound but allows the breath to last longer, as it comes from more efficient contact of the vocal folds. Once you get the voice set up this way, it tends to stay there, only needing occasional reminders to empty the bucket completely before starting to sing to reset any time the tone loses focus.

Workshopping with Just Voices

Warm-up action shot!Warm-up action shot!

I spent the weekend down in the second most eastward point of the UK, where Just Voices had convened to hold a weekend’s retreat in Broadstairs. We structured it as two one-day workshops on contrasting themes, but addressing a common core of pieces from their repertoire.

Saturday saw us focusing on the singers as musicians, with a bespoke workshop on Aural Skills for Choral Groups, while Sunday took our attention back out onto the audience with the theme Perform with Panache. We had slightly less time at our disposal on Sunday, though, so we compensated for that by taking the opportunity of the Saturday evening together to prime some ideas to be working on overnight.

Reflections on Coaching: Transformative or Flashy…?

My friend Stefanie Schmidt once made the comment that the kind of coaching sessions she finds most valuable are the ones that give her a concept or a technique she can go away and work on. These may not on the face of it look like the most impactful sessions, as the results aren’t immediately audible, but rather emerge later, and over time. But they make the greatest difference in the longer term.

She contrasted these experiences with those she termed ‘flashy’ coaching. The latter make major changes to the group’s performance, generating great enthusiasm and emotional energy, but not necessarily leaving the group with the wherewithal to recreate the same effect when the coach has gone home and left them to it. Flashy coaching’s legacy can actually to be to undermine the self-belief of people who have been given a glimpse of greatness but find themselves unable reach it again by themselves.

Motivating the Moves with the Chordettes

chordettessep18Sunday took me down to Devon to revisit the Chordettes in the run up to their contest performance at the Ladies Association of British Barbershop Singers Convention next month. In the three months since I last saw them they have embedded many of the things we worked on back in June, especially their bubbling embouchure and bucket-cup-teaspoon breathing, and were ready to move onto coaching more focused on the audience experience in anticipation of bringing their songs to the stage.

Sculpting a Story with Bristol A Cappella

Traditional warm-up picTraditional warm-up picI spent last Sunday with my friends at Bristol A Cappella helping them in their preparation for the Irish Association of Barbershop Singers Convention next month. As with my last visit, they had spent the previous day with Sandra Lea-Riley working on the Performance dimension of the package, which this time included the most ambitious choreography the group have embarked on to date.

Sandra had helped them refine their concepts and sharpen up their execution, but at the point I arrived they still needed more time on it to get it embedded. My remit was therefore to help them reconnect their visual performance with their vocal performance.

Exploring Character and Narrative in Norwich

NHsep18

I spent Saturday with my friends at Norwich Harmony further developing the contest set I had last worked with them on back in May. Unsurprisingly, given the elapsed time between visits, we could now build on the work we did last time on rhythm and harmony to explore how these elements contributed to the communicative dimensions of characterisation and story-telling.

We approached their up-tempo number as if it were a movie. Some songs strongly suggest a time, a place and even a filmic genre, and once you locate a song in this way, you have a common fund of imagery and associations that you can all draw on. One of the disadvantages of a cappella is that you don’t have a range of instrumental timbres to enhance the vividness of your performance; the commensurate advantage is that you have the imaginative freedom to build in opulent special effects to your concept without all the fuss of hiring an actual orchestra.

Less is Still More with Cleeve Harmony

Obligatory warm-up picObligatory warm-up picIt feels like cheating to use basically the same title for consecutive blog posts, but contriving something different would only make it less accurate.

Tuesday evening took me down towards Cheltenham to spend the evening with my friends at Cleeve Harmony. They had changed their rehearsal night from their usual Wednesday so I could come, as that is now also my own rehearsal night. (I will skip the occasional week with the Telfordaires, but not more than once a month and I had already used up my quota for high summer with Harmony University and – gasp – a week’s holiday.)

My remit for the evening was to focus primarily on the bigger-picture stuff, particularly the director and her assistant, but also with an eye and ear on the communicative impact of the music. Fortunately these are two things you can often do at once.

Less is More with The Venus Effect

I didn't get a pic, so here's one of theirsI didn't get a pic, so here's one of theirsTuesday evening brought my friends The Venus Effect to me by Skype for a coaching session on the new arrangement of mine they’ll be bringing to the Ladies Association of British Barbershop Singers Convention in October. As I’ve observed before, this mode of coaching is somewhat different from the face-to-face experience, but still offers opportunities to get loads done.

The thing you might be worried about – sound quality – is to my mind less of an issue; after all, the 78prm record offered valid and artistic musical experiences. I notice more that the potential for inhabitance is impaired – the slight time delay means you can’t fully coordinate with the quartet, either gesturally or vocally. So the experience is more arms-length, giving instructions to be acted on, rather than being in the music with them. Still, since we couldn’t find a time in the diary we could all be in the same room together, Skype coaching is infinitely more useful than no coaching.

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